Labour needs a hard reset
Until the government tells a consistent story about itself, it cannot expect voters to believe in it.
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Until the government tells a consistent story about itself, it cannot expect voters to believe in it.
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Write to [email protected] to have your thoughts voiced in the New Statesman magazine.
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Your weekly dose of gossip from around Westminster.
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International allies are pressuring both India and Pakistan to show restraint.
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Also this week: AI and the value of creativity, and Prince Harry’s lessons on family feuds.
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The veteran conservative writer on Christianity and Maga.
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But the party has to fight Farage on his turf.
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Trumpism thrives on the misery of its followers – and we are all unhappier for it.
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The Tory press made Farage. Now, like Frankenstein, it is bewildered and menaced by its own creation.
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The government’s review promises to address concerns about the bill – but only raises new ones.
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The leader of Reform UK is an extraordinarily protean politician and more pragmatic than is generally understood.
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Neither diplomacy nor military conquest can resolve the Middle East’s deepest conflict.
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The broadcaster and biologist speaks to the New Statesman about the mystery of the deep seas.
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Eighty years on, a new age of autocracy has made Europe’s defence an urgent question once again.
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The Italian writer was drawn to fascism – but became an unsparing chronicler of the carnage of war.
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A new poem by Will Eaves.
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A new generation is turning away from established churches in search of a different way to believe.
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Also featuring Cooking in the Wrong Century by Teresa Präauer and The Lost Orchid by Sarah Bilston.
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No player has dominated one Grand Slam as Nadal did the red clay of Roland Garros.
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Leo Robson’s family saga, set during the 2012 Olympics, is both a comedy and a study of grief.
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The Patrick Melrose novels and his other works are clearly by the same writer – but produce wildly different…
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The late film-maker insisted she was only an observer of the Nazi regime. A new documentary suggests otherwise.
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The second series of the medical Line of Duty asks: what’s the difference between being stretched and negligence?
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A BBC series considers the novelist’s three great themes: sex, nature and class.
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The head of the Colne Valley on the eastern flanks of the Pennines is visually dramatic – especially when…
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Technology is giving us an ever greater capacity for antisocial behaviour.
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Even an enormous garden and a playful pussycat can’t stop me missing my home by the sea.
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I am struck by how ill-designed bodies seem to be: miraculous in so many ways, but so beset with…
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This column – which, though named after a line in Shakespeare’s “Richard II”, refers to the whole of Britain…
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The actor on Stevie Wonder and wishing he had the talent to have been a musician.
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