The five most retrospectively creepy pieces about Lara Croft
Games journalism has come on a lot in a little over a decade.
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Interview with Ken Levine, Creative Director of Bioshock Infinite
Viewed with hindsight, the constituent parts of BioShock were as disparate as they were bizarre. A game set inside a…
ByKen Levine: “We had to kiss a lot of frogs before we found our prince”
The creative director of Bioshock Infinite talks to Bulent Yusuf about the new game, storytelling and unintended consequences.
ByWhat went wrong with the Playstation 4 launch?
What was revealed (and what wasn't) shows Sony desperately clinging to a business in disarray.
ByThe McDonalds sim and September 12: what does it mean for a videogame to be political?
Some games try to be explicitly political, while others tap into contemporary moral debates. But how much of a moral…
ByWhat if you feel sorry for the people you’re shooting? The ethics of game heroes
Games are not films: if a player is going to invest in a character's actions, they need to have a…
ByNobody Remembers Their First Kill: the importance of video game violence
Violence isn't unique to cinema or games – they're just the latest recruit to the aftermath blame tradition.
ByAnita Sarkeesian and the gamification of misogyny
How internet communities encourage bad behaviour online.
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