We have a new album out and are determined that ageing won’t stop us seizing the day
Forwards we go, embracing the new. Although, I’m a bit worried my doctor is soon going to tell me I…
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Forwards we go, embracing the new. Although, I’m a bit worried my doctor is soon going to tell me I…
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A luxury hotel protects the affluent in Sven Holm’s Termush, a rediscovered 1967 dystopia that sheds light on our own…
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How the Scottish author drew on music, drugs and violence to lead a new working-class avant-garde
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This biopic of Joseph Bologne, Chevalier, the first black European composer, is less interested in the past than in converting…
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He can no longer hit the high notes and stayed mostly seated at the piano but, even at the age…
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In BBC Radio 4’s Archbishop Interviews, the unlikely pair talk about faith, forgiveness, cancel culture – and whether Jesus is…
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A new poem by Michael Pedersen.
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For the past 13 years, Britain has been run by people who fundamentally can’t be bothered.
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Also this week: the art of rejecting authors and how all the best stories are true.
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The spectacular blooming, then rapid wilting, of Germany’s Greens is a warning for progressives everywhere.
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Your weekly dose of gossip from around Westminster.
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Write to [email protected] to have your thoughts voiced in the New Statesman magazine.
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The brutal drama told us who the ultra-rich were again and again. We chose not to listen.
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Meet “Mavis”: the Middle-Aged, Volatile, Insurgent voters reshaping Britain’s politics. Who are they and what do they want for themselves…
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This column – which, though named after a line in Shakespeare’s “Richard II”, refers to the whole of Britain –…
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How corporate profiteering is making us poorer.
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At the heart of her new novel August Blue is the question: where does one self begin and another end?
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The 18th-century fable about coining gangs, adapted from Benjamin Myers’ novel, is relentless and self-indulgent.
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Jonathan Kennedy’s Pathogenesis reveals how diseases have built and broken empires and economies.
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