Caroline Campbell Q&A: “I’d love to be able to teleport safely”
The director of the National Gallery of Ireland on her love of the Florentine Renaissance and the contemplation of beautiful…
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The director of the National Gallery of Ireland on her love of the Florentine Renaissance and the contemplation of beautiful…
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Surrounding oneself with unfurling, growing things is a great remedy for January malaise.
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A new poem by Raymond Antrobus.
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Also this week: winter travel chaos and the ongoing neglect of women’s health.
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America’s evangelical Christians grow up with the language of domination and submission. Of course they want their president back.
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Write to [email protected] to have your thoughts voiced in the New Statesman magazine.
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For the sake of those who are genuinely struggling, difficult questions and nuanced arguments must receive a fair hearing.
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In 25 years of the euro, the single currency has brought division rather than unity to the EU.
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UK politicians and their staff are hopelessly in thrall to Aaron Sorkin’s world of political make-believe.
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Keir Starmer should be worried less by a potential Tory surge and more by a creeping pessimism among voters.
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Your weekly dose of gossip from around Westminster.
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The philosophy of magic inspired the founders of modern science. Now it feeds the delusions of Silicon Valley.
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Why even once-loyal Conservatives are now despairing of the Prime Minister.
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Vincent Deary’s exhilarating new book mixes science, philosophy and memoir to argue that self-acceptance is our best defence against the…
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The minister for loneliness, equalities and civil society Stuart Andrew on his own spells of solitude and why language must…
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I’ve always felt the word festive may be applied as easily to the bedroom as to bunting. Men Up proves…
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In October a fabricated clip of Keir Starmer swearing at staff was shared. Imagine the impact if it had happened…
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Our choice of the year’s essential screen entertainment.
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Our choice of the year’s essential fiction and non-fiction.
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Jackie Wullschläger’s exemplary biography reveals the impressionist painter’s obsessive commitment to his art.
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