Why Baz Luhrmann’s biopic fails to capture the real Elvis Presley
This conventional, sanitised version of the singer’s life is an endless highlight reel, with no room for the unsavoury or…
ByFilm reviews
Explore the world of cinema with our selection of film reviews, providing in-depth analysis, thoughtful critiques, and captivating insights into the latest releases and timeless classics.
How Ireland’s violent history haunts The Banshees of Inisherin
Martin McDonagh’s Oscar-nominated film is set during the bloody conflict of 1922, but it is not a neat metaphor for…
By
Michelle Yeoh flits between universes in the hyperactive Everything Everywhere All at Once
Daniel Kwan and Daniel Scheinert’s latest action-comedy brings a 21st-century approach to parallel-reality cinema.
By
Florian Zeller’s The Son is a work of crass melodrama
The decorated playwright and director’s follow-up to his Oscar-winning The Father is manipulative and underwritten.
By
Magic Mike’s hollow feminism
This “empowering” franchise about male strippers peddles an offensive, patronising narrative about women and sexuality.
By
In Sarah Polley’s Women Talking, sexual assault survivors refuse silence
In this Mennonite #MeToo drama, the victims of male violence must choose between faith and their desire for justice.
By
Why we need more female monsters like Lydia Tár
Cate Blanchett’s fierce composer is a proxy for all the rage I’m not allowed, as a middle-aged woman, to express.
By
Nan Goldin’s politics of sex
The film All the Beauty and the Bloodshed shows how, from the Aids crisis onwards, the photographer merged steely activism…
By
Empire of Light is a clumsy love letter to cinema
Set in a fictional picture house in Margate, Sam Mendes’s drama is an ode to great film. It’s just a…
By
White Noise: a weird and wonderful spectacle
At its London Film Festival premiere, Noah Baumbach told audiences his adaptation of Don DeLillo’s novel is about “how crazy…
By
What Don DeLillo saw coming
In 1985, White Noise captured America’s nascent attention economy. Can an $80m Netflix adaptation live up to his vision?
By
The best films of 2022
The New Statesman’s critic picks his top ten movies of the year.
By
Bach’s accidental masterpiece
The keyboard works of The Well-Tempered Clavier sound more novel and luminous 300 years later than in their composer’s day.
By
Luca Guadagnino’s Bones and All is a Gen Z-friendly cannibal romance
Timothée Chalamet and Taylor Russell are great together in this YA story of flesh-eating boy meets flesh-eating girl.
By
Netflix’s Lady Chatterley’s Lover is a completely pointless adaptation
This film swaps the darkness and brutality of DH Lawrence’s novel for tender scenes of dancing in the rain.
By
The Knives Out sequel Glass Onion is a murder mystery that skewers the wealthy
Daniel Craig has just as much fun in this whodunnit, which sees “disruptors” gather mid-pandemic on the private island of…
By
The Wonder: Florence Pugh is controlled and commanding in this brilliant film
Inspired by the phenomenon of fasting girls in the Victorian era, this is a fresh look at wilful women and…
By
She Said is a myopic, timid and trivial attempt at a #MeToo movie
This film about the fall of Harvey Weinstein has no answers for Hollywood’s sexual abuse problem. It’s too afraid to…
By
Jafar Panahi’s No Bears shows the political power of filmmaking
Banned from making movies, the Iranian director has nevertheless created a formidable body of work – an uprising in cinematic…
By
A new Emily Brontë biopic joins the dots between life and literature
Frances O’Connor’s Emily treats events in Brontë’s life like furniture to be rearranged on a whim.
By