Andrea Dworkin’s dispatches from the sex wars
In her 1981 treatise, Dworkin called porn “the orchestrated destruction of women’s bodies and souls”. Forty years later, has sex-positive…
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In her 1981 treatise, Dworkin called porn “the orchestrated destruction of women’s bodies and souls”. Forty years later, has sex-positive…
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Overcrowded dinghies used for desperate, dangerous crossings have become totemic in our toxic immigration conversation.
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In this Danish novel, a woman stuck in a repeating time loop is forced to consider the very fundamentals of…
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The Second World War was not just won on the battlefield, but in seemingly marginal regions from Ireland to Iraq.
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Alice Vincent’s Hark asks why gender, age and parenthood change the way we listen.
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The country’s elusive identity resides not in a National Trust garden, but on the thundering dual carriageway of the A1.
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A deeply reported survey of a much-mythologised slice of Britain reveals a heterogeneous, complex demographic.
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Also featuring Open, Heaven by Seán Hewitt and Mythica by Emily Hauser.
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The writer’s posthumous therapy journal is raw and unvarnished – the most direct book she never wrote.
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The novelist thought his great-grandfather’s memoir would be a story to be proud of. He found something else.
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Why a “left-wing city” can still host a race riot.
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From urgent new fiction to the inside story of Keir Starmer’s Labour, the New Statesman picks the season’s essential reading.
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In The Unnamable, the writer’s prose was stripped to the bone – and the bone itself boiled white.
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From hidden jewels to good eggs, children will be delighted by these funny, moving stories.
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The novelist coolly examines how we interact with each other in a deeply unsettling story of reversals and doubles.
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The entrepreneur’s microchip company Nvidia has fuelled a tech revolution, but his success is built on failure and suffering.
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In Careless People, former employee Sarah Wynn-Williams reveals the callousness at the heart of the company.
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Tove Jansson’s beloved stories, which turn 80 this year, are not cute: they are angry tales of apocalypse and breakdown.
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Swift is a self-made billionaire and the most profitable live musician in history. What can her ascendance teach us?
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In The Last Bell: Life, Death and Boxing, Donald McRae deftly captures the sport’s ugliness and exhilaration.
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