The Middle East on the brink
This is a perilous moment for the world. Western leaders must be clear-eyed about the potential scale of this…
ByThe Magazine
In this week’s issue
War on Three Fronts
Letter of the week: Changing the future in the Middle East
Write to [email protected] to have your thoughts voiced in the New Statesman magazine.
By
“Long Corbyn” is shaping Labour’s judgements on the Middle East
Your weekly dose of gossip from around Westminster.
By
Caroline Ellison: victim or crypto queen?
Sam Bankman-Fried’s former girlfriend and Alameda CEO emerged as the star witness for the prosecution in the trader’s trial…
By
Why I always do business over breakfast
Also this week: the blue suit brigade, conference karaoke.
By
Carlo Rovelli: “Einstein made more mistakes than anyone”
The theoretical physicist on the mysteries of the universe.
By
The Israel-Hamas war has left Britain divided
Politicians in the UK are nervous to speak about the conflict – but if ever there was a time…
By
The strange discord of being British and Jewish
Judaism in this country is a mirror of society, reflecting our gratitude, our anxiety and – sometimes – our…
By
The EU is the “illusory giant” of geopolitics
Despite its wealth and ambition, the European Union is limited as an actor in the great conflicts of our…
By
Inside Israel’s intelligence fiasco
Security failures allowed Hamas to launch its catastrophic attack on 7 October. Can the Israeli leadership overcome its fatal…
By
Was Israel wrong to trust Qatar?
Doha hosts Hamas as part of a cynical geopolitical game.
By
Letter from Israel: “Bodies are piling up on three fronts”
I was among the first journalists allowed into Kfar Azza, one of the kibbutz communities that suffered the worst…
By
Letter from Gaza: “What we have witnessed has never been seen before”
I have seen children writing their names on the palms of their hands. When they die, they want people…
By
The darkness of the secret world: Mick Herron and John Gray in conversation
The bestselling author of the Slough House series and the philosopher discuss spy thrillers, the allure of the Cold…
By
Rupert Murdoch’s portrait in the attic
Michael Wolff’s account of the fall of the media strongman is an ugly, scurrilous tale of profit’s triumph over…
By
The NS Poem: Ah well…
A previously unpublished poem by Laurie Lee.
By
David Brooks’ delusions of moral decline
How to Know a Person argues that public life no longer values honour and empathy – but the evidence…
By
JM Coetzee’s cold realism
The South African writer’s steely eye gives his stories of emotional restraint the feel of modern allegories.
By
Why we go to war
Two new studies of the evolution of warfare reveal the fragility of peace in a world ruled by irrational…
By
From Thurston Moore to Camilla Nord: new books reviewed in short
Also featuring The Book at War by Andrew Pettegree and a collection from the Complete Works Poets.
By
Max Pechstein and the politics of paint
Amid Germany’s 20th-century upheavals, the expressionist’s art brought him both renown and peril.
By
Andrew Wylie’s rules for life
America’s most feared literary agent on his friend Salman Rushdie, what Sally Rooney taught him, and how he has…
By
Killers of the Flower Moon is Martin Scorsese at his best
This late, great Western is a powerful study of greed, betrayal and evil.
By
Where are all the family dramas?
Breeders isn’t perfect – but it is a rare example of a mainstream show that doesn’t centre around a…
By
Madonna’s greatest hits tour shows why she is still the Queen of Pop
Despite the lingerie and snogging, there is not much that remains shocking about the singer – except, perhaps, that…
By
Bridget St John and the power of folk memory
At a magical gig in east London, I feel transported to Greenwich Village in the Sixties.
By
I’m missing the human touch, and a certain mushroom risotto
I’m back in England, with only grey skies, my plants and the world’s worst corporation for company.
ByPlease email [email protected] if you would like to be featured.
By
Anthony Horowitz Q&A: “I admire Rishi Sunak for his resilience and work ethic”
The novelist on optimism, late-night plot anxiety, and being born 25 years too late.
By