Run Sister Run is a winding descent into tragedy
Chloë Moss’s play explores addiction, codependence and time’s cruel loops in a stark, intimate staging.
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Evita for the West End masses
While Rachel Zegler sings “Don’t Cry for Me Argentina” to a crowd outside the Palladium, the audience inside may ponder…
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Quadrophenia the ballet is a storm of movement
The dance version of the Who’s rock opera is full of stunning choreography, but the classic mod story is lost…
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4.48 Psychosis is a disturbing dissection of the mind
At the Royal Court, Sarah Kane’s high-intensity play reveals the desperation of severe mental illness.
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Stereophonic: all the sex, drugs, tears and boredom of true rock ’n’ roll
Can a musical about flights of creativity survive a setting of earthbound realism?
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Thom Yorke’s Hamlet is brilliantly rendered sacrilege
In an inventive theatrical mash-up, Radiohead’s album Hail to the Thief perfectly articulates the prince’s torment.
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Jasmin Vardimon: dance is a universal language
The choreographer on the arts, education and why Alice in Wonderland is an immigration story.
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As the literary novel fades from relevance, James Graham is the writer for our era
The author of Dear England has channelled the people and events that made modern Britain.
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