Romeo and Juliet have been let down
Sadie Sink and Noah Jupe deliver thrilling performances, but Robert Icke’s direction is an assault on the senses
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Sadie Sink and Noah Jupe deliver thrilling performances, but Robert Icke’s direction is an assault on the senses
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The larger-than-life Strictly Come Dancing star is captivating as he injects life into the new production of the show
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Kimberly Belflower’s play, at London’s Royal Court theatre, tears into misogyny and Arthur Miller
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The language is modern but the Russian dacha aesthetic gives the performance its timeless quality
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Timothée Chalamet might win Oscars, but ballet is noble in its irrelevance
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A moving revival at the Young Vic emphasises the paralysing feeling of watching horror unfold abroad
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Kip Williams’ new adaptation of the classic proves that tech can dull a performance
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Stripped of the Westminster scaffolding, this Yes, Minister sequel unspools into endless trading of retorts and ripostes, going nowhere
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